Wildly popular anime features extraterrestrial species, fusion techniques, and epic fight scenes.Wildly popular anime features extraterrestrial species, fusion techniques, and epic fight scenes.

Dragon Ball Z

Dragon Ball Z is a wildly popular anime. The show is featured on a wide range of products from clothing to backpacks, writing utensils, snacks and games.

In 1996 Funimation licensed the rights to broadcast and produce a new dub for Z, starting with episode 67. They chose to work with Texas voice actors, a move that was successful.


Aside from the main protagonists of Dragon Ball Z, other characters also play a major role in the franchise. These include extraterrestrial species such as the Namekians (nametsuku Xing Ren, Namekku-seijin), Saiyans (saiyaRen, Saiya-jin) and the Kaiosai (Obi-Wan Kenobi).

A fusion technique of the Namekians involves one Namekian absorbing the energy, strength, memories and even thoughts of another through a process called assimilation. This happens when two Namekians of equal strength agree to fuse and place their hands over each other’s chests. The stronger of the two becomes the host while the other is assimilated into the host’s body.

A female Namek warrior named Cabba (, chchi t), also known as Launch or Marilynn in the Harmony Gold dub and by Melodee Lentz in the Funimation and Ocean dubs, bonds with Vegeta after his defeat of Dracula Man at the 23rd World Martial Arts Tournament. She is a recurring character throughout the series and the film, Dragon Ball Super.


After the completion of the manga, Funimation collaborated with Saban Entertainment to syndicate the series on television and home video. It contracted the Ocean Productions dubbing team to create an English dub, and hired Shuki Levy to compose an alternate musical score for the show. The initial English dub of Dragon Ball Z was heavily edited for content and length; it reduced the original 67 episodes into 53. This version is often referred to as the Ocean dub or Saban dub.

After the end of the original television run, Toei Animation “refreshed” the anime series to eliminate filler material and provide a more faithful presentation to the manga. The resulting DVD and Blu-ray releases include the original Japanese footage in its 4:3 aspect ratio, while Nicktoons broadcasts and Toonami aired the refreshed series in 16:9 widescreen. Toei’s DVD releases also retain the original Japanese opening and ending themes, credits, and eyecatches. Toei’s DVDs also restore Kenji Yamamoto’s original music to its proper credits, although some of his background tracks were replaced for the Majin Buu saga by Norihito Sumitomo.

Animated Movies

Unlike previous film adaptations of the series, this film features a complete storyline and plot that stays true to the original anime. Fight scenes are impressively choreographed and the visuals look amazing. The only downside is that it’s very long and may be a little boring for non fans, but for fanboys it’s one of the best movies.

This movie is a must see for any Dragon Ball Z fan. It’s a pretty good action movie and has an awesome storyline, great fights, cool characters and an amazing soundtrack. The animation is fluid and looks really good, although there are a few issues with the screen sometimes jittering and the occasional blotch.

The only problem with this film is that it’s a bit too long and not all of the fight scenes are as exciting as they could have been. The movie also lacks the charm and humor that made the series so successful, especially in the scenes with Oolong and Gohan.


Throughout the years, Dragon Ball has become an extremely popular anime with many fans. Its popularity has spawned a large amount of merchandise, such as DVDs, video games and collectible trading card games.

Despite its over-the-top action, the series manages to convey a solid storyline. It has well-animated fighting sequences and emotional moments that make the viewer want to keep watching.

Although there are some inconsistencies between the manga and the anime, these tend to be corrected as quickly as possible. These inconsistencies are usually due to filler episodes that extend fights or censorship that makes the show more family friendly.

The English dub of the original Japanese release of the series is generally considered to be one of the best. The only drawback is the soundtrack, which sounds dated. The soundtrack features songs from the ’80s and ’90s that do not suit the action of the show. It is also not as catchy as the Bruce Falconer score for Dragon Ball Kai.

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Dive into the World of 잡토토: Online Sports Betting and Community Expertise.Dive into the World of 잡토토: Online Sports Betting and Community Expertise.

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Thrilling ballet adaptation of Dracula mesmerizes with chilling performances and haunting music.Thrilling ballet adaptation of Dracula mesmerizes with chilling performances and haunting music.

Dracula at Ballet West

Adam Sklute sat down with us to give you a taste of what this thrilling ballet has to offer. Watch the interview HERE!

After 18 months of scaled-back Covid-safe performances, Ballet West returned to the Capitol Theatre with a spooky tale of blood-drinking vampires. This engaging story ballet drew large crowds and rave reviews.

Adapted by Ben Stevenson

Ben Stevenson, a master at ballet and opera, is no stranger to creating story ballets. And he has certainly created one for Halloween with his adaptation of Dracula. But unlike most of his other bigger extravaganzas, this one is a bit more chilling.

The dress rehearsal on Friday showed that the production has settled in. While it still teetered between exciting melodrama and sometimes campy stylization personified by Susan Cummins’ silent-movie Flora, the dancers were able to keep their cool, offering a balance of first-rate dancing with excellent characterization.

The cast is largely composed of returning artists with a few new faces to add fresh perspectives. David Paul Kierce has a commanding stage presence as Dracula, and Carrie West and Elizabeth Zengartzstein are a fiercely strong pair of his victims. The newcomers include Miguel Anaya as Count Dracula’s son, and Caitlin Valentine and Francesca Dugarte as his conflicted daughters. All have the ability to make their characters seem real and credible.

Music by Franz Liszt

Dracula’s evocative music by Franz Liszt, the 19th-century Hungarian composer and pianist, adds a menacing atmosphere to Ben Stevenson’s devilishly clever adaptation. His sweeping themes, dramatic crescendos and technical fireworks are the perfect backdrop for ballet’s dark tale of a vampire’s seduction of Mina Van Helsing.

Liszt’s life was stranger than fiction and fueled fan fever known as “Lisztomania.” His innate flamboyance and astounding piano technique were intoxicating to audiences and fellow musicians alike. He turned operatic melodies into keyboard showpieces charged with technical fireworks, and composed works that made pianists weak at the knees.

Inspired by the legend of the ferocious Ivan Mazepa, Totentanz (Dance of Death) pairs a breakneck pace with jaw-dropping piano feats. The piece opens with a raucous brass statement of the plainchant Dies Irae, an ancient motif that signifies death.

Costumes by Phil R Daniels

With wraithlike costumes and foreboding sets, Ballet West delivers a dramatic telling of this classic story. Pair that with Franz Liszt’s haunting music and you have a night of horror and romance.

Act one begins with a corps of ethereal vampire brides sweeping across the stage in fluid, phantom dance. Each movement feels half finished and trance-like as they shift in complete obeisance to their vampire lord. Emily Adams (Flora) was a fresh face, her crisp movements and bright red hair creating a stark contrast to Dracula’s dark castle which made her eventual succumbing to the count even more horrific.

Tyler Gum was an aptly Mephistophelean Prince of darkness, rebounding smoothly from a minor slip in Act I. He was well matched by Katlyn Addison’s Svetlana, her fear and confusion at being re-captured by Frederick nicely conveyed as she flitted effortlessly around the stage and through the air.

Sets by Charles Cusick Smith

Spectacular pyrotechnics, flying vampire brides and a ghostly horse-drawn carriage add to the eerie spectacle of this epic ballet. It is a feast for the eyes as well as the senses, and it is clear that Utahns love it!

Act I opens in the crypt of Dracula’s castle. The Count (Chase O’Connell) wakes and summons his brides, who writhe languidly in groups of 20, moving with spectral ripples that suggest their undeath.

The Count lures an innkeeper’s daughter, Flora (Emily Adams), to his castle and transforms her into one of his undead victims. He also beguiles his henchman, Renfield, with one of his bewitched brides and hunts for the betrothed Svetlana.

When Svetlana (Katlyn Addison) and her dashing lover Frederick (Hadriel Diniz) arrive at the castle, a savage battle between Dracula’s eerily beautiful brides and the villagers ensues. Cusick Smith and Daniels have crafted sets that are evocative and believable, even when the action takes place in the gloomy bowels of Dracula’s castle.

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